In my spring ‘25 semester as a sophomore, I was simultaneously selected by a professor and recruited by a senior team to create the OST for their capstone game. This was one of two projects I worked on for FUSE. I worked with the sound lead, story team, and producers, as well as an audio engineer I selected who performed guitar. The OST drew from multiple genres. It’s structured as a symphony, with five movements in the same key with recurring motifs. Each track is unique in that it draws primarily from a Greek mode, emphasizing the emotional journey of the story.
