Orion and the Hare
As the audio lead, I created original orchestral music for a student film during the ‘25 spring semester. This was one of two projects I worked on for FUSE. I assembled a small choir formed of my talented colleagues, recorded with ‘solfeged’ sheet music. I worked closely with two sound designers and my director to ensure sonic quality.
Art by Emily Boecker
Okami
Created during the summer of ‘24, this sound redesign was made without listening to the original. The OST encompasses both traditional and modern Japanese styles, using Eastern music theory. VA was done by me, including some SFX that were possible due to my beatboxing expertise.
Art by YoshiTuber
Cyberpaint
Created during a 24-hour school animation challenge in my Fall ‘24 semester, I worked alongside four animators to create the soundscape. This animation includes both a breakcore/dubstep-inspired track and a jazz track, alongside recorded SFX and my VA. Some of the SFX came from various kitchenware, such as plastic measuring cups and silverware, while others were composed of my beatboxing or banging boots against a metal cabinet.
Dungeons and Dorks
For the 2025 24-Hour Animation Challenge, our group created a comedy skit featuring a DND campaign. I recorded, edited, and mixed all of the voice acting, including my own parts as the lich and dungeon master. I also created the OST and SFX.
Grizzly Business
This is a submission to the Summer 2025 Indie Film Music Contest. I was given an animation to create the OST for, with SFX already included. For this, I created a band arrangement with percussion entirely made of recorded beatboxing for a lighthearted and comedic effect. Different mixing techniques were utilized to convey space and dramatization.
